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Theres a lot of silly fun awaiting you here, and I found myself wishing for more when it was done.

Youll have the most fun playing these games on either the iPad or Apple TVbut controllers work great on the iPhone, too.

Its always about golf, but you can get idea of the zany directions in which it takes that foundation in by playing one of the first levels.

Youll find a house on a golf course, and so you pull back your finger (or press a button on your controller) to set the angle and force for the ball and, well, thats when you find out that its the house thats moving.

And then youll keep putting this ranch house around the screen until it tumbles over the hole, prompting the screen to erupt into big, orange letters that scream, HOME IN ONE.

There are hours of this, and somehow What the Golf gets even crazier without losing much momentum.

Its billed as a golf game for people who dont like golf, but frankly, this is a game that everyone should love.

Its technically a rhythm game in the vein of Thumper, but it says sayonara to that games abstractions in favor of a trippy story about a woman saving the world on her motorcycle.

She flies through crevasses, collects hearts, carefully times jumps, and spatters bullets into towering robot dogs while catchy pop songs thump in the background.

Some levels are better than others, and the frequent change in perspective occasionally makes it hard to reorient yourself the first time you play a level.

But this is every bit the art house type of game Apple Arcade should champion and have more of.

Its also on the Nintendo Switch, by the way, but with Apple Arcade you wont have to pay the normal 13 price tag.

And, of coursethis being Apple Arcadeyou dont have to worry about all these microtransactions that tarnish other games in this genre.

Grindstone puts you in the boots of a blue-skinned berserker who cuts a path through beasts of the same type with his sword.

Youll decide which path he should take before each turn, press Go, and then watch as all the monsters explode as his sword storms through them.

Its fun, its challenging, and its a reminder that these types of games dont need artificial limitations placed on them in order to retain their appeal.

Designed by artist William Chyr, its mainly a game about dropping boxes onto switches in order to open doorswith the twist that you can only pick up the boxes while theyre on the floor.

Sometimes youll find one high on the wall, so youll need to press a button andget thisflip the entire world until the wall becomes the floor.

If you flip while on a staircase, you might find yourself sliding off the buildings wall and dropping into infinityuntil, that is, you land on an identical structure far below.

Its a smart way of making players regard the world differently in order to look for solutionsa lesson players should carry far behind the games confinesalthough I never fully lost the resulting sense of vertigo while playing.

Youre Bigfoot, basically, and you spend your days ransacking campsites for food to sell to a snoozy bear.

But you can also masquerade as a human, go fishing, steal golf carts (and play golf), and buy new toys and tools from an enterprising raccoon for other adventures.

Youll also spend a lot of time running from the park rangeror at least you will if you dont learn to tiptoe with your massive feet Ive heard Sneaky Sasquatch described as a wholesome Grand Theft Auto, and I think thats a good way to put it.

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